By A.D. Amorosi
LOS ANGELES (Variety.com) - Daniel Johnston, the eccentric
singer-songwriter who was beloved by many fans in spite of -- or
even because of -- his battles with mental health issues, has
died at 58. His hometown newspaper, the Austin Chronicle,
confirmed with Johnston's former manager, Jeff Tartakov, that
the artist died of a heart attack Tuesday night.
Johnston released 17 albums and was revered by artists like
Kurt Cobain, Tom Waits, the Flaming Lips, Sonic Youth and Yo La
Tengo, many of whom who covered lo-fi songs that encompassed
significant whimsy and great angst. He was the subject of a 2005
documentary, "The Devil and Daniel Johnston."
Called everything from an eccentric genius to a childlike
loner, Johnston made his bones and his reputation for oblique,
yet touching lyrics, yelping vocals and oddly contagious
melodies (for instance: "Speeding Motorcycle") with a handful of
homemade cassettes (such as "More Songs of Pain," "Yip/Jump
Music," and "Hi, How Are You") and nearly 20 albums.
Tom Waits, Jad Fair and Yo La Tengo recorded his tunes, and
made him famous. Nirvana's Kurt Cobain wore Johnston's art work
on a T-shirt, and made him infamous. His own struggles with
mental illness, however, made him vulnerable and gave Johnston
some of his earliest press.
Johnston moved to Austin in the 80s, and made that city his
artistic center, setting up his own label there (Eternal Yip Eye
Music), and even creating a "Hi, How Are You" Frog mural at
Guadalupe & 21st Street, along Austin's famed The Drag.
Starting In 1988, and into the early 90s during the
recording of his first studio produced albums, Johnston's mental
health suffered, and he was diagnosed with schizophrenia.
While heading to a small music festival in Austin in 1990,
he suffered a psychotic episode while his plane was in
mid-flight (he actually removed the key from the ignition
leaving the plane's pilot, his dad, to crash-land the plane).
After this episode, Johnston was involuntarily committed to a
mental hospital.
For all his troubles, however, Johnston maintained a level
of artistic excellence and a signature, fuzzy sound, one that,
by 1994 found him releasing albums (e.g "Fun") on a major label,
Atlantic Records, beating out Elektra only because potential
label mates Metallica were devil worshipers in his eyes.
Johnston eventually headed back to smaller, independent
labels like Tim/Kerr and Jagjaguwar, better suited to release
his intimate, non-commercial sounds. Yet, Johnston still
maintained a rep as a lo-fi overlord, even releasing a "duets"
album of sorts in 2004, the double-disc "The Late Great Daniel
Johnston: Discovered Covered" where Beck, TV on the Radio, and
Death Cab for Cutie made the most of his scattered songwriting.
In 2005, director Jeff Feuerzieg captured the musician's
life and times for the documentary, "The Devil and Daniel
Johnston," while Johnston released albums such as "The Electric
Ghosts," "Is and Always Was" and "Space Ducks," his last
released full album, well into the 2000s.
Johnston played his last major shows in 2017 via a five date
mini-tour featuring backing from Wilco's Jeff Tweedy, Built to
Spill, Modern Baseball and The Districts. In a New York Times
profile, he denied believing that it would be his swan song.
"Why would it be?" Johnston asked.
As the Times put it then, "the idea of him quitting the road
isn't unreasonable. He has battled manic depression and
schizophrenia most of his adult life, and in recent years
endured multiple physical ailments, including diabetes, a kidney
infection and hydrocephalus, a condition in which fluid on his
brain caused him to frequently lose his balance. In the last
year, his mental health also worsened. ... Mr. Johnston's
psychiatric treatment has required extended stays at inpatient
facilities, and although he now lives with some degree of
independence, he requires considerable assistance."
Although he had moved closer to Houston, Johnston was a
revered enough figure in Austin that the city had designated an
annual "Hi, How Are You? Day" in his honor, on his birthday.
His final album during his lifetime was "Beam Me Up!" in
2010. Johnston told the Chronicle in 2018 that he had been
working on a new album with Brian Beattie, as yet unreleased.
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