John McCain's Staff in Damage Control Over 'Wedding Crashers'
James Hirsen
Tuesday, July 19, 2005
THE
LEFT COAST REPORT
A Political Look at Hollywood
John McCain's Staff in Damage Control
Over 'Wedding Crashers'
He's a movie star now.
Yes, Arizona senator and aspiring presidential
candidate John McCain recently made his cinematic debut in this summer's bawdy
romantic comedy "Wedding Crashers."
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The cameo appearance may create a big-screen
problem for McCain, though, and it doesn't have anything to do with his
Clinton-defending cameo co-star James Carville. It has to do with the flick's
thoroughly warranted R rating.
In the movie, Owen Wilson and Vince Vaughn
portray divorce mediators who crash weddings and seduce bridal attendants.
There's a fast-moving montage in the film, done
in the style of a music video, where Vaughn and Wilson's characters are featured
in bed with a shifting procession of naked women.
The Los Angeles Times opined that this Hollywood
excursion is "perhaps not the most predictable showcase for the film debut of a
former presidential candidate who five years ago conducted Senate hearings in
which he personally took Hollywood to task for the preponderance of R-rated
films."
Regarding McCain's participation in the film,
Wilson recently revealed on NBC's "Today" show that he had "cold-called" the
senator's office and that McCain's staff was extremely cordial and told him they
would have an answer for him within minutes.
In less than an hour Wilson received a call
letting him know that McCain had agreed to the part.
Prior to the movie's release McCain was joking
about the appearance, but now his staff appears to be engaged in some damage
control.
Eileen McMenamin, McCain's communications
director, claimed that when the senator accepted the role he understood the film
would be rated PG-13.
"The senator has not seen the movie," said
McMenamin. "He agreed to do the cameo role for a fee, which he donated to
charity."
Although "Wedding Crashers" employs the same
style as other sex-laden comedies like "American Pie" and "There's Something
About Mary," it does have a couple of elements that help place it on a somewhat
higher plane.
It eventually conveys the moral judgment that the
coarse behavior in which Vaughn's and Wilson's characters engage is wrong. It
even has the screen figures suffering for their transgressions.
And ultimately the movie celebrates the
institution of marriage.
The Left Coast Report says it's yet to be seen
whether McCain's decision to join the "Wedding Crashers" cast will prove
advantageous to a future GOP presidential primary opponent. But, hey, if it is,
he can always do "Wedding Crashers 2."
Oliver Stone: Wrong Guy for the Job
With all of the talented directors available, one
can only imagine why Paramount CEO Brad Grey would place at the helm of a film
on 9/11 the tin foil hat-headed Oliver Stone.
Perhaps Grey did it to make the most of the
controversy that will no doubt heat up after folks find out all the stuff
Ollie's uttered.
Back in 1987 Stone was given an award by the
ACLU. He said the following on that occasion: "Our own country has become a
military industrial monolith, as rigid and corrupt as the Soviets.
"This Darth-Vadian Empire of the United States
must pay. America has to bleed. I think the corpses have to pile up. I think
American boys have to die again. Let the mothers weep and mourn."
You'd think the horrors of 9/11 would have
chastened Stone. But sadly, only one month later he called the 9/11 attack a
"revolt" against the "six companies who control the world," who "control
culture" and who "control ideas."
He was talking about media companies.
Stone added that "the Arabs have a point and will
be joined by the people who objected in Seattle." He then characterized the
attack as something good, suggesting that "all great changes have come from
people or events that were initially misunderstood."
Add these factoids to the mix. Stone focused on
civilian slaughter in "Platoon," demonstrated the softer side of Castro in
"Looking for Fidel," used Anthony Hopkins to "Hannibal"-ize "Nixon" and
transformed Alexander of "Alexander the Great" into a frosted blond,
mascara-wearing surfer dude who bores the world into submission.
The Left Coast Report thinks hiring Stone for the
9/11 gig is like asking Tom Cruise to direct a flick on postpartum depression.
Officers Arrest Village People Cop
The 1970s music group the Village People featured
four male singers who wore cowboy, construction worker, Native American and
policeman costumes, respectively.
Ironically, some real cops just recently arrested
policeman character Victor Willis in California.
During the disco act's heyday, Willis co-wrote
the group's hit tunes "Macho Man" and "In the Navy."
After a traffic stop, rock cocaine and drug
paraphernalia were found in Willis' vehicle, according to the police report.
The report also indicated that Willis didn't have
a valid driver's license or identification and initially lied about who he was.
Willis posted $100,000 bail and has a court
hearing in August.
The Left Coast Report observes that, on a
positive note for Willis, he wasn't charged with impersonating an officer.
Katherine Harris, Madonna and Kabbalah
Water
Does a former Florida secretary of state and
current congressional representative have something in common with Madonna?
That's the question that MSNBC's Jeannette Walls
recently posed.
Katherine Harris was Florida's secretary of state
during the 2000 presidential election that Al Gore contested.
Harris now serves in the U.S. House of
Representatives and has announced that she plans to run for the U.S. Senate.
Both Harris and Madonna have apparently
contemplated the curative possibilities of Kabbalah water.
According to the Orlando Sentinel, Harris was in
charge of a program in which diseased trees were "treated with water provided by
associates of the trendy Kabbalah Centre."
Unfortunately, the treated trees did not
experience the mystical healing that was sought.
The Kabbalah Centre in Beverly Hills sells the
aforementioned water in bottles and claims it can cure serious illnesses like
cancer.
The program Harris was involved with also
included the participation of a rabbi and a cardiologist who worked with
researchers to test "Celestial Drops" on diseased orange trees.
The Sentinel indicated that a scientist employed
by the state had referred to the use of the water as a "hoax and not based on
any credible science."
The scientist also explained that "the traits
attributed to so-called Kabbalah water — 'elegant crystalline structures' and
'high energy and low entropy' — are virtually identical to those of Celestial
Drops."
Harris told the Forward that she had recommended
the procedure because she had been informed that "Israeli scientists" had
produced it.
"I deeply value Israeli technology," Harris said.
When asked by the Sentinel whether the liquid was
Kabbalah water, one of the suppliers responded, "I can't really give you that
information."
The Left Coast Report hears that tree-treating
researchers in Florida are looking into the therapeutic properties of another
ancient and hallowed H2O that's been used over the centuries. It's called
holy water.
Pro-life 'Island'
A life-affirming film from Hollywood that
actually made it through the development machinations at DreamWorks is called
"The Island," and it's set to open in multiplexes on July 22.
Its real value lies in the thought-provoking
issues raised in the story line.
The movie exposes the covert immorality behind
today's embryonic stem cell research, which, in reality, is cloning in disguise.
The film is a sci-fi action thriller with an
extraordinary cast, convincing futuristic sets and a host of innovative special
effects.
Accompanied by a tasteful soundtrack, director
Michael Bay ("Armageddon," "Pearl Harbor") has elicited an intense portrayal
from Ewan McGregor ("Star Wars: Episodes I, II & III," "Moulin Rouge") and a
luminous performance from Scarlett Johansson ("Lost in Translation," "Girl With
a Pearl Earring").
McGregor appears as Lincoln Six-Echo, a resident
of a stark, highly controlled futuristic facility. Lincoln and his fellow
residents long to win a lottery, where the prize is being chosen to leave the
austere "institute" and go live on the "island."
In "Matrix"-like manner, Lincoln stumbles upon
evidence that his life and surroundings are a lie. He and close friend Jordan
Two-Delta (Johansson) break out of the facility and for the first time venture
into the outside world.
The bad guy scientists give chase and also give
Bay the opportunity to display his prodigious action scene chops.
The respect for the dignity of life shown in the
movie has already raised the hackles of some folks in the critic community,
including the Hollywood Reporter's Kirk Honeycutt, who worried that "these
filmmakers have, perhaps unwittingly, delivered a film certain to give succor to
the religious right"; Variety's Justin Chang, who mused that "Bay ultimately is
interested in the science and ethics of cloning only insofar as they provide a
backdrop for all the vehicular chaos he's set to unleash. (Ancillary moral:
Clones are human, too.)"; and CompuServe's Harvey Karten, who speculated that
the film was one President Bush would probably enjoy.
Interestingly, despite the powerful questions
that the film raises about embryonic stem cell research, actress Johansson is on
record as being in favor of embryonic stem cell research.
"I think that there's a lot of wonderful
possibilities erupting," Johansson told Moviehole. "I mean, if they could
eliminate diseases like Alzheimer's and polio that would be incredible."
Perhaps Johansson is unaware that adult stem cell
research shows far more promise for curing the diseases she mentions than
does embryonic research. And new technology is on the horizon that can harvest
the equivalent of embryonic stem cells without the destruction of human life.
The Left Coast Report hopes that maybe after
Johansson and others watch the film, and possibly read up on the assets of adult
stem cell research and liabilities of embryonic, they'll find out what biotech
companies have been up to — the justification of human cloning using the very
same rationale the bad guys used in this flick.